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PSI Audio present monitor speakers and active bass trap at AES Show NashvilleYamaha introduces CK76 Stage Keyboard and CK OS 2.0PSI Audio celebrates 10th anniversary of active bass trap AVAALake People upgrades MC100 with dedicated 19-inch rackmountPSI Audio introduces active bass trap AVAA C225 for home cinemas and small clubs
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Author Archives: David Bergmann

Infrasonic Sound comes to Berlin, represented by Dr. Frederik Knop

April 28, 2026 at 5:21 pm

Dr. Frederik Knop smiling in front of a mixing console at Infrasonic Sound professional recording studio.

Renowned US-based collective Infrasonic Sound welcomes mastering engineer and HEDD co-founder Dr. Frederik Knop. With this addition, the group of well-known audio engineers expands to Germany and opens a new location in Berlin in addition to Nashville and Los Angeles.

Infrasonic Sound: Mixing, Mastering, Dolby Atmos and Vinyl

Infrasonic Sound is an award-winning collective of audio engineers based in Nashville, Los Angeles, and now Berlin. They offer mixing and mastering at the highest level, including Dolby Atmos productions or vinyl mastering & lacquer cutting. The credits of Infrasonic Sound range from Chris Stapleton and Brandi Carlile to Weezer, Jelly Roll and Run the Jewels. 

Dr. Frederik Knop: Mastering Engineer with years of experience

Infrasonic newcomer Freddy Knop brings years of experience as a mastering engineer and has a background as a musicologist. He is also the co-founder and was longtime CEO of renowned loudspeaker and headphone brand HEDD Audio. Starting in May, he will be offering digital and analog stereo mastering as well as Dolby Atmos services straight out of the heart of the German capital under the Infrasonic brand. The studio is equipped with top-tier mastering gear by SPL, HEDD, Elysia, Thermionic Culture, Apogee, and Zaehl Elektronik, providing artists with the same level of precision and quality as Infrasonic’s renowned US facilities.

With this move, Infrasonic strengthens its global presence and expands its capabilities, offering artists at any level access to world-class mastering and immersive audio services.

Additional information about Infrasonic Sound: www.infrasonicsound.com

Contact: freddy@infrasonicsound.com

Instagram: https://www.instagram.com/infrasonicsound/

Contact

Dr. Frederik Knop

Infrasonic Sound Recording, Inc.

freddy@infrasonicsound.com

Studio: +1 (323) 276-0477

https://www.instagram.com/freddy.knop

PSI Audio A326 D-REX gains LFE capabilities through panel update

April 1, 2026 at 4:45 pm

PSI Audio enhances the A326 D-REX Dynamic Range Extender for the A226-MAIN monitor speakers with an additional LFE input section. The new feature allows for using the full-range system in immersive and cinematic setups without the need for an additional LFE. The electronics combine the input from the stereo inputs and the LFE input and reproduce the sum total of the low-frequency signal.

Full-spectrum power: A226-MAIN and A326 D-REX

The PSI Audio A326 D-REX is not a subwoofer in the conventional sense; it was designed to work in tandem with the A226-MAIN high-end monitors to optimize its dynamic capabilities. Hence the name: Dynamic Range EXtender. Together, the A226-MAIN and A326 D-REX present the largest system PSI Audio has ever created, delivering the company’s trademark sonic accuracy in its most accomplished form. The latest update allows the combination to also perform perfectly in cinematic contexts – without the need for an additional LFE.

Added connectibility: LFE inputs for A326 D-REX

While the PSI Audio A326 D-REX was developed to support the A226-MAIN and further refine its dynamic response, it has all the technical capabilities to act as an LFE in immersive setups. With a frequency range from 20 Hz to 160 Hz and 126 dB peak sound pressure, the A326 D-REX actually meets the standards for Dolby Atmos. To harness this potential, PSI Audio updates the electronics slightly and adds an LFE connector section to the panel. The LFE signal can be fed in separately from the stereo signal, and the Link output can pass the input signal on to another LFE, for example. The signal level can be adjusted from -10 to +10 dB, which also affects the signal passed forward. When both the LFE input and the stereo inputs are used, the A326 D-REX sums the signals and reproduces the entirety of the low-frequency range. 

Precision monitoring: the PSI Audio experience

PSI Audio stands for absolute sonic fidelity: all the various monitor speakers are designed to reproduce audio exactly as it is, with no colouration or distortion of any kind. The A326 D-REX expands this philosophy to the LFE channels of cinematic productions, allowing audio professionals and creators to accurately assess the impact of their low-frequency content, be it for film, music, or any other audio application. 

Swiss precision manufacture

In order to achieve the ideal of perfectly unaltered audio reproduction, PSI Audio develops and builds all speakers in the company’s own workshop in Yverdon-les-Bains in Switzerland. From the careful selection of components all the way to the final measurements in the anechoic chamber, every step is taken by well-trained specialists to ensure outstanding quality in sound and craftsmanship. As a testament to the manufacturer’s meticulosity, every speaker comes with its very own measuring graph. 

Availability

The PSI Audio A326 D-REX is already being shipped with the new LFE panel; every A326 D-REX going forward will automatically feature the LFE input.

Pro Audio Bricks: Lake People and Manikin Electronic present compact master clock and USB isolator

April 1, 2026 at 4:03 pm

Two compact Lake People pro audio devices on a table: a 10MHz reference clock generator and a USB isolator with ports and status LEDs in a studio setting.

Lake People and Manikin Electronic co-develop Pro Audio Bricks, a series of compact problem solvers for a variety of every-day audio applications. Two products will be available from May already: the 10MHz4Reference master clock delivers highly precise digital clocking through an OCXO (Oven-Controlled Crystal Oscillator) for perfect sound results in digital systems, while the Isolator4USB electrically isolates between USB device and host to eliminate interference and drop-outs. Both devices are built into sturdy housings by Lake People, making the Pro Audio Bricks essential companions for audio professionals.

Pro Audio Bricks: real problem solvers for professionals

Lake People and Manikin have co-developed a number of specialized solutions for studio and audio production environments to combat typical challenges of working with audio. Two problem solvers will be available from May already: the precision master clock 10MHz4Reference and the USB isolator Isolator4USB. A whole host of additional products are currently being prepared. Their compact format makes the Pro Audio Bricks perfect for travelling. Their solid, road-worthy craftsmanship ensures they will perform even after years on duty.

10MHz4Reference sets the pace

The Lake People Pro Audio Brick 10MHz4Reference master clock offers secure clocking for digital systems. The importance of a stable clocking signal for the sonic integrity of digital audio is unquestionable; the 10MHz4Reference delivers this central clock. The Oven-Controlled Crystal Oscillator (OCXO) delivers high clocking precision, minimum phase noise and outstanding long-term stability. The outputs are realized with 50 ohms and 75 ohms to be able to connect to any audio device with corresponding reference inputs. The galvanic isolation prevents low-frequency interference through ground loops. Through all of this, the 10MHz4Reference elevates digital audio systems to a new level.

Isolator4USB protects the data flow

The Lake People Pro Audio Brick Isolator4USB is a rare type of device. You could call it a DI box for USB connections: the data line and power supply between USB host and USB device are separated through a powerful USB isolation chip in combination with a DC/DC converter. The galvanic isolation prevents unwanted electrical interference, significantly enhancing signal quality. Crackling or drop-outs can be effectively eliminated, making the Isolator4USB an indispensable tool in all situations that require reliable, interference-free USB transmission. 

Concentration of competence: Lake People and Manikin Electronic

Berlin-based company Manikin Electronic has developed established solutions for the professional audio field for many years. Lake People brings 40 years of expertise in developing and manufacturing excellent hardware for professional and audiophile applications to the table. Together, both companies create powerful “Tools, not toys” to support audio professionals in many areas. Compact, high-quality, well thought-out and completely routed in actual practice – Pro Audio Bricks quickly become vital components of every production environment.

Prices and availability

Lake People and Manikin Electronic kick off the Pro Audio Bricks series with two devices that will be available from May. The MSRP (including 19% VAT) are 899.90 EUR for the 10MHz4Reference and 399.90 EUR for the Isolator4USB. 

PSI Audio at AXPONA 2026 with Héritage3, A17-M, and AVAA C214

March 24, 2026 at 12:03 pm

AXPONA (Audio Expo North America) banner by PSI Audio inviting visitors to a unique listening experience in Room 1139, featuring Héritage3 active speakers and active bass traps, with room photos.

At AXPONA 2026, PSI Audio will exhibit in room 1139 of the Schaumburg Convention Center in Chicago, Illinois. The Swiss manufacturer will present the floor-standing high-end speaker system Héritage3, the outstanding A17-M bookshelf speaker, and the revolutionary active bass trap AVAA C214.

Professional fidelity for home audio: Héritage3

The PSI Audio Héritage3 is the culmination of over 45 years of speaker expertise, combined with an uncompromising approach to home audio. Using established proprietary technology like AOI (Adaptive Output Impedance) and CPR (Compensated Phase Response), the Héritage3 draws from the manufacturer’s renowned professional audio accomplishments and pours them into a unique circuitry and design to bring absolute sound fidelity to audiophile listening rooms. Its unmatched transparency, authenticity, and stereo image are as pleasing to the ears as its elegant wood finish is to the eyes. 

Bookshelf speaker perfection: A17-M

For those looking for a more compact solution still adhering to the PSI Audio principle of absolute audio fidelity, PSI Audio exhibits the A17-M at AXPONA 2026. The compact speaker delivers a breathtakingly lively, dynamic, and transparent sonic landscape with low end reaching further down and remaining tighter than one would usually expect from a speaker this size. The A17-M, like all PSI Audio products, was designed to accurately represent recordings of any type, and it certainly packs a punch in terms of power and sound pressure output.

The end of room modes: AVAA C214

Perhaps the most famous development from PSI Audio, the Active Velocity Acoustic Absorber AVAA has revolutionized room acoustics. The AVAA C214 acts as an acoustic hole in the wall, sucking out unwanted energy in the frequency range from 15 Hz to 160 Hz. The result is a much clearer sound image in the entire room, as the AVAA principle is not based on anti-sound and its effect is not restricted to a small sweet spot. With its sleek, compact design, it fits into virtually any room – it can even be mounted to walls or ceilings.

PSI Audio at AXPONA 2026

10th-12th April 2026

Room 1139

Schaumburg Convention Center

Chicago, Illinois, USA

Lake People celebrates 40 years of audio quality made in Germany

March 3, 2026 at 10:17 am

Lake People “40 Years – Tools, not Toys” V6HP headphone amplifier with level knobs and multiple headphone outputs, shown as professional studio gear.

40 years Lake People, 40 years “Tools, not toys”, 40 years innovative technology for demanding applications. In addition to looking back on the successful company history, it’s worth looking into the future, as 2026 will have many reasons for Lake People to celebrate.

Professional audio technology since 1986

In 1986, Fried Reim founds Lake People in Constance, and presents the company’s first innovation that same year: the Phone-Amp V6 is the first decentralized headphone amplifier for recording studios. Next comes a whole host of products for discerning audio professionals, for example the first German 20 bit converter in 1991. This tradition of high-quality studio technology continues until today, as evident in headphone amplifiers like the G103, monitor controllers like the MC100, and mic preamps like the F355. 

From the studio to the living room: Violectric

Following continued requests from the hifi scene, the brand Violectric is introduced in 2009. The approach is similar to that of Lake People: achieving the best possible transmission of audio through outstanding engineering. Violectric addresses home users with specific features and refined design: headphone amplifiers like the HPA V324, audio centres like the DHA V590-2, and phono preamps like the PPA V790. In the high-end segment, the Niimbus products mark the limits of what is technically possible.

Innovative technology for ultimate listening

Over the years, Lake People has developed technologies and circuits that are unique to the products from the manufacture. Its most renowned innovation is likely the Pre-Gain circuit, which allows tailoring a headphone amplifier to the electrical parameters of a pair of headphones. Other important, recurring features include the high internal operating voltage, the high damping factor, the purposefully limited frequency response, and the protective relays for powering the devices on and off. All these well thought-out developments make Lake People products safer and more practical. They never become an end in themselves, but always serve the quality of the listening experience. Fried Reim has compiled the expertise gained from his developments in his “Headphone Amplifier Cookbook”, which is available for free: The Headphone Amplifier Cookbook 

The Lake People quality pledge 

The excellent renown of Lake People and Violectric is rooted partly in the sophisticated technology, but also in the perceptible quality of all the products. Every Lake People device is developed in Germany and built by hand in the company’s own workshop in the Bavarian city of Gauting. Each and every one is being checked technically and acoustically, making sure that every product adheres to the Lake People claim to quality. 

Development continues: upcoming “Tools, not toys”

Upon occasion of Lake People’s 40th anniversary, it makes sense to look back on the company’s history. However, it is equally rewarding to look ahead, as the future has a lot in store: the new, ultra-compact monitor controller MC10 has already been introduced at NAMM and ISE. The year of its 40th anniversary is more to Lake People than a chance to look back on its history – it is also a chance to add to it, as multiple products are already being prepared to launch.

Immersive Lab Records: new boutique label for immersive music debuts with „Winterreise Echoes“ by Tetsuya Hori

February 9, 2026 at 10:26 am

Album cover for “Winterreise Echoes” by Tetsuya Hori, showing a lone tree and bench in a minimalist snowy winter landscape.

Immersive Lab Records is a new boutique label starting in February 2026, dedicated fully to immersive sound art. The label focuses on genres like neoclassical, ambient and electronica – published in modern immersive audio formats and selected premium editions.

Immersive music independent of format: Immersive Lab Records

Immersive Lab Records conceptualizes music as an immersive experience in modern audio formats and with sophisticated designs. All releases from Immersive Lab Records will be available in immersive audio formats. Apart from Dolby Atmos and Auro-3D, selected projects will also be available in Sony 360 Reality Audio and potentially other formats – depending on artistic concept and distribution paths. 

The digital products are complemented by premium formats like Pure Audio Blu-ray and high-resolution direct sales to audiophiles. The label’s approach is decidedly not limited to any single technology: Immersive Lab Records considers immersive audio formats as artistic tools to create and design room, depth, and emotional impact. The label is a brand by Eric Horstmann’s Immersive Lab, the creative hub for spatial audio, innovative audio production and artistic efforts at the intersection of music, technology, and emotion. This expertise in the area of immersive audio technology perfectly facilitates the curation and publishing of exciting music.

First release: Tetsuya Hori – “Winterreise Echoes”

The first release on Immersive Lab Records is the album “Winterreise Echoes” by composer and sound artist Tetsuya Hori, released on 18th February 2026. The lead single “Between Breaths” is available immediately, providing a glimpse into the album’s immersive sonic world. 

Tetsuya Hori takes Franz Schubert’s “Winterreise” and translates its emotional motifs into a contemporary immersive sound language between Neoclassical and Ambient. He reinterprets Schubert’s work and finds – hope, expressed as a vivid pulse beneath the captivating sonic images of piano and strings.

Curated label with long-term vision

“Winterreise Echoes” embodies the new label’s direction: supporting artistic visions that transform music from an acoustic event to an immersive experience. Immersive Lab Records is not a typical label for the masses, but a curated platform for artists who realize sound as spatial and emotional experiences. The label’s long-term vision is to establish immersive music as an independent artistic form beyond short-lived trends. 

Available via streaming

“Between Breaths” by Tetsuya Hori is available immediately in Dolby Atmos at Apple Music, Tidal, and Amazon, and in Auro-3D at AuroMasters. The album “Winterreise Echoes” will follow on 18th February.

Yamaha’s New Commercial Installation Solutions Ecosystem: The Key to Experience Sound

February 9, 2026 at 9:25 am

Graphic titled “The New Yamaha CIS Ecosystem” featuring a Yamaha logo in a purple circle, surrounded by networked audio/AV components such as speakers, microphones, amplifiers, and controllers.

Yamaha has launched its enhanced Commercial Installation Solutions (CIS) ecosystem at ISE 2026 in Barcelona, with new digital signal processors, power amplifiers and control solutions offering a new key to sound. Allowing users to integrate, configure and manage complex audio systems in a straightforward way, the enhanced CIS product portfolio is designed to provide reliable and flexible audio solutions for venues including hotels, restaurants, retail stores, corporate spaces and educational institutions

The new CIS lineup includes the DME5 and DME3 digital signal processors, eight new XMS series power amplifiers, MCP2 wall mount controller and TCD10 touchscreen control device, along with a significant update to Yamaha’s ProVisionaire system management and control software. 

The DME5 and DME3 join the established DME series processors. These 1U units offer high quality, 96kHz audio processing, seamless connectivity with Yamaha digital mixers and feature Dante and analogue I/O. They also feature four channels of flexible I/O which are assignable as inputs or outputs, for unmatched configuration flexibility. Dual USB ports support background music playback and PC connectivity for web conferencing.

The XMS series is a range of 1U and 2U power amplifiers. The eight models provide power sharing across four output channels and include onboard DSP for speaker processing, delay and matrix routing, with a built-in speaker processor to optimise output settings. This helps to ensure safe, reliable operation, giving users greater confidence and security. 

The MCP2 wall mount controller and TCD10 touchscreen controller combine flexible configuration with intuitive operation. The MCP2 supports up to 64 devices, while the TCD10 provides secure control with power over Ethernet (PoE) and versatile mounting options. Through working seamlessly with Yamaha’s ProVisionaire system management and control software, both controllers can also manage third-party devices, such as lighting and projectors, enabling straightforward AV control of the entire space.

Meanwhile, ProVisionaire Design and ProVisionaire Control PLUS software have been updated to Version 3.0. Now supporting a broader range of products and system components, a new Conductor feature allows DME5 or DME3 processors to coordinate multiple Yamaha devices. This makes system integration more intuitive, while simplifying daily operation.

“The scalable architecture and flexible control options of our revised CIS ecosystem ensures venues can adapt to evolving needs and technologies,” says Thomas Hemery, Senior General Manager of Yamaha’s Professional Solutions Division. “This means a reliable and future-proof investment, which supports long-term value and operational peace of mind, even as requirements change over time.”

The DME5, DME3, MCP2 and ProVisionaire V3.0 software will be available in Spring 2026. XMS amplifiers and the TCD10 controller will be available in the summer, along with a further major ProVisionaire Design and ProVisionaire Control PLUS update. This will enable even more flexible adjustment and integration within the CIS ecosystem, supporting an even wider range of applications and user needs.

Yamaha staff will be pleased to discuss the new CIS products on Booth 3F100 at ISE 2026, which takes place at the Fira de Barcelona in Barcelona, Spain, from February 3-6, 2026. All information about the new CIS Ecosystem and the products can be found on the new CIS Landing page.

(Original text: Robin Johnson. (www.9016.co.uk) 

PSI Audio presents A226-MAIN APA-700 main monitor with external amplification

January 30, 2026 at 9:36 am

PSI Audio introduces a variation of their A226-MAIN, the active analogue monitor for high-end studio sound. The all-new A226-MAIN APA-700 features the same sophisticated driver configuration and proprietary technology, but utilizes an external Analogue Power Amplifier (APA). The separate electronics can be placed up to five meters away from the speaker, so roll-off, level, and standby can be easily accessed for wall-embedded A226-MAIN. The unit is compatible with 19-inch racks and therefore seamlessly integrates into any professional studio.

APA-700 for easy access and control

The APA-700 takes the electronics from the A226-MAIN and turns them into a remote amplifier. The 3U 19-inch-rack-compatible unit allows for up to five meters of distance between speaker and electronics through a proprietary connection, which makes it perfect for controlling wall-embedded A226-MAIN in professional studios. The APA-700 provides rotary knobs for roll-off and level. The device can also be activated or deactivated through a dedicated standby button.

Sound fidelity at its best

While the APA-700 outsources the amplification section of the PSI Audio A226-MAIN, the speaker itself remains unchanged and delivers the outstanding fidelity the Swiss manufacturer is known for. The newly developed aluminium coil dome tweeter accurately depicts every detail in the high-frequency range. It is carefully paired with the renowned EXD midrange driver from PSI Audio and the two 10-inch woofers with double flow guide bass reflex, which make the A226-MAIN a mighty main monitoring system with an accurate representation of transients whilst delivering a clean and powerful low end.

Modular proprietary technology

As the flagship monitor speaker, the A226-MAIN combines all the proprietary technology that already gave the other PSI Audio speaker models their impressively accurate sound properties. The all-analogue APA-700 honours that tradition by powering the speakers with high SPL output and low distortion. In combination with the Compensated Phase Response (CPR) for perfectly aligned audio reproduction, and the Adaptive Output Impedance (AOI) that monitors membrane movement and optimizes transients, the A226-MAIN APA-700 meets even the highest criteria of demanding listening situations. 

Swiss precision manufacturing quality

Like all PSI Audio products, the A226-MAIN APA-700 is developed, built, and calibrated entirely by well-trained specialists in the company’s own manufacture in Switzerland. From the careful selection of components to the final assembly of each unit, every step in the production process is executed with the world-famous Swiss precision.

Price and availability

The PSI Audio A226-MAIN APA-700 is available for preorder immediately. Customers best refer to their local PSI Audio Custom Pro partners.

Lake People MC10 provides excellent monitor control in pocket format

January 22, 2026 at 10:59 am

Lake People MC10 monitor controller on a studio desk, featuring a volume knob, headphone jack, and input/output status LEDs.

Lake People introduces its new ultra-compact monitor controller MC10 at NAMM 2026. The MC10 offers digital USB-C input for PCM up to 384 kHz at 32 bit or DSD 256, plus an analogue RCA input. The outputs are realized as XLR, RCA, and headphone jacks, can be switched separately and used simultaneously. The headphone output offers 1/4” or 1/8” jacks. An Alps RK27 potentiometer is used for the volume control.

Ultra-compact listening central: MC10

The Lake People MC10 takes the high-quality monitor management of the MC100 and MC50 and brings it into an incredibly compact format of 108 x 41 x 143 mm. That makes the MC10 the perfect solution for setups with little space – and for use on the road. During travel especially, the MC10 scores with its headphone amplifier in exquisite Lake People quality, fully bus-powered and not dependent on a separate power supply. Since it is a Lake People headphone amplifier, it integrates the Pre-Gain circuitry to tune the amplifier perfectly to the headphones used. The MC10 can optionally also be powered with a separate power supply to conserve battery life of the connected laptop or tablet.

Flexible and versatile inputs and outputs

Two separate inputs and two outputs in addition to the two headphone jacks qualify the Lake People MC10 as a true monitor controller despite its size. The USB-C input accepts digital audio, the superb converter can process PCM with up to 384 kHz and 32 bit or DSD up to DSD 356. Analogue sources can be integrated via RCA, a switch on the front switches between the inputs. Speakers or other devices can be connected via XLR or RCA outputs. The two headphone jacks on the front in 1/4” and 1/8” configuration carry the same signal and can be used simultaneously. Individual buttons activate the respective outputs, so they can be used individually and simultaneously for playback. 

Top-shelf components for uncompromising sound quality

Since 1986, Lake People is synonymous with finest quality made in Germany, and the MC10 continues this tradition. Manufactured in the German workshop, the MC10 is made exclusively from carefully selected, high-quality components. For example, the volume is controlled with an Alps RK27 potentiometer with a solid 18-mm knob. The typical Lake People manufacturing precision guarantees a long, reliable product life – even in demanding mobile use. 

Lake People at NAMM and ISE 2026

The NAMM show from 22nd to 24th January is the stage for the Lake People MC10 world premiere. Visitors find Lake People at the American Music & Sound booth 17710 (ACC North Level 2). Subsequently, the MC10 will celebrate its European debut from 3rd to 6th February at ISE at booth CS644 in the Innovation Park.

Price and availability

The Lake People MC10 will be available from March 2026. The price will be announced shortly.

Zaor MIZA Flow at NAMM 2026: customisable, modular and future-proof desk for modern audio and AV production

January 20, 2026 at 11:49 am

Promotional graphic showing modular black studio desk and keyboard workstation configurations on a swirling galaxy background, with “NAMM ’26 Booth 14931” text.

Zaor Studio Furniture introduces the MIZA Flow, an innovative desk for musicians and media professionals that is designed to be modular and customisable. A slot at the back of the desktop can be used to enhance the desk with one or multiple rack modules that hold three rack units each. The slot can also be used to fit a ZaorBit Retro, which then opens the entire catalogue of Triad-Orbit solutions to be attached via the patented IO quick-release system. The Zaor MIZA Flow will be presented at NAMM from 22nd to 24th January 2026 at booth 14931 (ACC North) at the Anaheim Convention Center in Anaheim, California.

The desk of possibility: MIZA Flow

Zaor designed MIZA Flow for sound engineers, producers, broadcasters, and musicians. The innovative MIZA Flow desk responds to the rapidly evolving demands of modern audio, audiovisual, and content creation workflows. Built as a sustainable, flexible and upgradeable platform, MIZA Flow allows users to tailor their workspace to their specific needs and even adapt it over time rather than replacing it. Its base offers a large working surface as well as the signature rock-solid pull-out keyboard tray with adjustable keyboard height. This simple and elegant base can then be enhanced and customised with desktop rack units and a large variety of booms and stands to accommodate the specific requirements of each and every user. MIZA Flow is not a desk – it is your desk.

As stacked as required: flexible rackmount solutions

At the core of Zaor MIZA Flow is a modular architecture that supports a wide range of configurations, from streamlined music creation setups to fully equipped professional production environments. The trick is Zaor’s proprietary and protected fixing system that allows for the addition of one or more rack modules on the desktop. Each rack module offers three units of rack space and can be positioned and oriented freely to create the ideal work environment for the application at hand. This ingenious solution makes the desk perfect for every application, offering sheer endless possibilities to tailor and fine-tune its setup to the specific requirements at hand. It can even expand with the requirements: start with one module, later add a second one when the need for rackmount gear has grown. And why not have your go-to preamps all in one module and take them with you when you work somewhere else, only to easily re-attach the rack when you are back? The Zaor MIZA Flow unleashes your gear.

Ready for everything: ZaorBit integration

The slot for the rack modules of the Zaor MIZA Flow serves a second purpose: the integration of ZaorBit Retro. ZaorBit is the result of a cooperation between Zaor and the renowned stand- and boom-solution manufacturer Triad-Orbit. With ZaorBit Retro, the patented IO quick-release system from Triad-Orbit is easily integrated into MIZA Flow, making it possible to quickly attach microphone booms, camera stands, tablet holders and more. The Triad-Orbit solutions hold everything firmly in place, and with the quick-release system, switching between different setups is extremely fast, easy, and convenient.

Quality and ergonomics from Europe

The MIZA Flow perfectly fits into the philosophy of Zaor Studio Furniture to design and build high-quality furniture solutions that support the workflow of creatives and media professionals. “We have been very successful with the MIZA line and wanted to go several steps further in both functionality and style to meet today’s challenges,” says Gilles Bartholmé, COO, Zaor Studio Furniture. “With MIZA Flow, we have created a highly flexible workspace that can accommodate additional attachments through our attachable rack modules and our collaboration with Triad Orbit. Our fixing system is 100% safe, 100% flexible, and allows an almost unlimited number of positions, angles, and combinations.” Like all other products from Zaor, the MIZA Flow is produced in Europe from selected materials. It uses strong wood particle board combined with exquisite solid oak panels to create clear lines, a modern design, and long-term durability.

Zaor MIZA Flow at NAMM 2026

22nd – 24th January 2026

ACC North Level 1

Booth 14931

Anaheim Convention Center

Anaheim, California, USA

Price and availability

The Zaor MIZA Flow is available immediately in a number of configurations. For information on prices please contact your local representatives.